Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Sign In to gain access to subscriptions and/or personal tools.
Social Science Information
This Article
Right arrow Full Text (PDF)
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Similar articles in Web of Science
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via HighWire
Right arrow Citing Articles via Web of Science (1)
Right arrow Citing Articles via Google Scholar
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Sinapi, M.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?

The punk cut

Michèle Sinapi

Collège International dePhilosophie, mg.sinapi{at}free.fr

The punk movement, seen through its "riddle-like" texts, appears as a thoroughly singular and eminently political moment. Acting as an echo-chamber for a certain number of former cultural events such as Dadaism, or more contemporary ones such as Anglo-American psychoanalysis, this movement, closely attuned to post-war mutations, invented a number of minimalist formal means that managed to enact the collapse of ideals without succumbing to nihilism. Turning their backs on ideology of every stripe, the punks radicalized cultural criticism and held out a mirror to British (and European) society in considering the key political question of the post-war era: do states still possess some kind of legitimacy? How are we to cope with institutional nihilism? And with the contradictory injunctions of the post-Nazi era?

Key Words: Cultural critique • Descent • Ideals • Nihilism • Performativity • Post-Nazi era

Social Science Information, Vol. 45, No. 3, 373-385 (2006)
DOI: 10.1177/0539018406066532


Add to CiteULike CiteULike   Add to Complore Complore   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati   Add to Twitter Twitter    What's this?


This article has been cited by other articles:


Home page
DiogenesHome page
M. Sinapi
`Without the Warmth of Your Own Image'
Diogenes, November 1, 2007; 54(4): 81 - 90.
[Abstract] [PDF]